DEVON WORLEY – VOCALS / GUITARS / PIANO
Crowds roar during their rousing live gigs at country music festivals across the U.S. Across the pond in the UK, fans inside packed rock clubs stomp their approval for an incendiary set that combusts with memorable original songs written by the alluring lead vocalist, her three band mates and occasionally the Minnesota-based singer’s mother and band manager. Welcome to the shape-shifting worlds of the Devon Worley Band (DWB).
Hitting at a time “when music genres are blurring – and maybe don’t even matter anymore” – the Devon Worley Band might show up on Spotify, or your favorite streaming platform, as country, rock, country-rock, or just rock, or retro rock. The truth is DWB is the most loveable bunch of mainstream music outliers that you ever heard! Led by 22-year-old Devon Worley, the group is set to release a tight, diverse and fresh new five-song EP called Tea Time for Thieves. It builds smartly on the band’s 2013 debut album Silver Creek (winner of two Independent Country Music Association Awards for Best New Band and Best Video) and the superb 2017 follow up, The Sunrise Resistance.
Recorded in Nashville – “where no one knows what to do with us, including our producer Matt McClure” (Kellie Pickler, Lee Brice, Lucas Hoge and others) — Tea Time’s first single, “No Fool,” showcases Worley’s commanding countrified vocals as she wields her voice like a lead rock axe and lays down the law. Having sung with the Minnesota Opera (!) as a pre-teen and already a Black Belt in Karate, Worley possesses the musical maturity and deadly focus of singers twice her age. And you can catch a glimpse of her strong, old soul sensibility as she wisely navigates the diverging roads inside her head and heart throughout the rest of songs.
The EP’s plaintive ballad, “Leave Me Slow,” sounds like a certifiable hit in rock or country, while “Black River Magic” could well be a Stevie Nicks’ deep-track pop gem. The hard rock slow burner, “Wytch Hunt,” and the old school notions of “Broken Record” demonstrate how five-plus years working together has made the DWB a finely honed music unit capable of pivoting to any genre with grit or grace – and no apologies.
At the young age of 18, when most high school post-graduates are picking out a twin comforter for their dorm room and stressing about their class schedule, Medvec was stepping on a tour bus, leaving for an international tour with the Bay City Rollers. While with the Rollers, Jason toured the US and Canada twice, played to stadium sized crowds in the UK and played 3000 – 5000 seat theaters in Australia. After three years, four continents and hundreds of shows later, Jason returned to the Twin Cities full of experience and tenacity earned on the road.
Today, that same tenacity keeps Jason intensely goal driven which is a key reason the Devon Worley Band continues to climb in stature; playing alongside some of the biggest country music stars of their time. One of Jason’s passions is writing music and he has been a primary writer on all DWB music in the eight years he’s been in the band. Jason’s unique, fiery style is paramount to the Devon Worley Band sound.
Christian Twigg travelled the world with his bass, and now he’s jumping aboard the Devon Worley Band’s train of beautiful musical craziness. The Minnesota native starting teaching himself at 15 as a metal-head, then an instructional video with Louis Johnson (Brothers Johnson, Michael Jackson) gave him the funk bug.
After graduating from Music Tech (formerly McNally Smith) he joined a band called Parrish where he met guitarist Jason Medvec. He then joined Minneapolis piano/pop/rock band Spymob, and was taken on the experience of a lifetime.
They were discovered by then up-and-coming hip-hop producer Pharell Williams and signed to his Star Trak Entertainment label under Arista Records. They became the band for William’s boundary-breaking N.E.R.D project with Chad Hugo and rapper Shay. They recorded N.E.R.D’s debut album “In Search Of…,” which featured ear candy smashes “Lapdance” and “Rock Star.”
The album catapulted N.E.R.D. to superstardom, taking Twigg to places and stages most only ever dream of. They brought the house down in front of adoring crowds around the globe. With Pharell Twigg played the coveted stages of Saturday Night Live, the Late Show with David Letterman, and Late Night with Conan O’Brien, stadium shows all over the world, the Super Bowl pre-party in Times Square, and more.
Working with N.E.R.D. and Williams also lead Twigg to play with artists such as Justin Timberlake, Jay-Z, Christina Aguilera, Black Eyed Peas, and more.
Based on the relationship between Twigg and Jason Medvec he became a natural fit for the Minneapolis-based up-and-coming Devon Worley Band, bringing his experience and skill to the group’s genre bending sound.
He is the final puzzle piece for the bands ascent to the top.
Once upon a time at a bar called Toby Keith’s, this hard-hitting drummer got asked to judge a karaoke contest on a Wednesday night. As fate would have it, a local up and comer named Devon Worley was asked to judge as well and the two struck up a friendship. After many months and several unexpected turn of events, Grant ended up joining her band as the thunderous backbone of the multi-talented Devon Worley Band.
After playing for the prestigious University of Minnesota’s marching band, Grant continued playing in the Minneapolis scene with acts such as Shane Wyatt, the Hillbilly Mafia and the Minneapolis legendary Dirt Road Prophets. Grant’s experience was well honed before joining DWB and his groove and pocket, writing and arrangement experience became invaluable.